1 – Phoenix, AZ

Episode 1: What it Means to be a Neighbor with Clottee Hammons

Clottee Hammons describes a Great America where there is the “cultivation of what it means to be a neighbor.”

She is the founder and creative director of Emancipation Arts in Phoenix, which has the mission to use the arts to raise the profile of black artists in the community in Arizona. And to use the arts to create collaborations between egalitarian arts and community.

Emancipation Arts, LLC

Phoenix, AZ: The Great America of 1950-1980

Phoenix boomed in the decades after World War II, an era of seemingly endless prosperity when local boosters would say that opportunity was available for anyone who wanted to work for it. The city’s population grew tenfold between 1950 and 1980, newcomers drawn by the promise of an expanding economy and of a cheap and easy lifestyle in contrast with the drudgery of older eastern cities. A business elite known as the “Phoenix Forty” and a political machine smoothly ran local affairs. Companies like Dial and Motorola had their headquarters there. It looked like the growth would never stop.

Because the city’s growth happened entirely in the era of the automobile, accommodating cars was a priority in city planning. Phoenix became a paragon of the new urban landscape associated so closely with what became known as the Sun Belt: neat subdivisions of wide streets, single-family homes and shopping malls. The “American Dream” of a ranch-style house and a lawn seemed more available in Phoenix than it was in other places.

This sort of development required a lot more land than what had been the traditional cityscape, the result being that the city grew from about seventeen square miles at the end of the war to nearly five hundred square miles by 1980. While there were concerns about the potential for natural resources, particularly water, to be overtaxed, there were few voices who challenged the wisdom of unbridled growth. Instead, leaders lobbied for the massive Central Arizona Project, a four billion dollar canal that took water from the Colorado River over three hundred miles uphill to Phoenix and Tucson. The project, which broke ground in 1973, was so expensive and massive in scope that it would not have passed if it were not for the outsized influence of Arizona’s Congressional delegation, which at the time included legends like Barry Goldwater, Carl Hayden, and Mo Udall. Along with the freeways, it is an example of the extent to which the American Dream exemplified by Phoenix was heavily subsidized by federal taxpayers.

The narrative of boundless opportunity came short in other ways as well. While times were good for the business elite and for the largely Anglo and Midwestern newcomers coming in pursuit of the suburban dream of ranch-style houses and picket fences, there were those who were left out. The city’s significant and well-established Asian-American, African-American and Mexican-American communities remained shunted from the rest of Phoenix by both legal and de-facto segregation. Some of these neighborhoods, particularly on the southern edge of the city, were little better than shantytowns, with unpaved streets and inadequate water and sewer infrastructure.

As much as the city fathers tried to keep the focus on Phoenix’s prosperity, these communities would not let themselves be ignored. A renegade Franciscan priest named Emmett McLaughlin used his position to call attention to those that were left behind by the city’s progress. Meanwhile, the communities themselves pursued a sort of self-sufficiency, with their own businesses, newspapers and social-support systems. In the 1960s and 1970s, the Civil Rights movement nationwide and the Farmworker movement in the west led by Cesar Chavez, an Arizona native, had an impact in Phoenix and led to the development of a new political leadership class. People like Cloves Campbell, Alfredo Gutierrez and William Ong were elected to office. While this did not bring immediate change, it set the foundation for a more representative future.

It seems inevitable that this era of unprecedented growth would have to come to an end. By the late 1980s, Phoenix was almost completely encircled by the rapidly developing surrounding suburbs, some of which did not yet exist when the boom started. Once supreme, Phoenix would now have to compete for amenities, resources and political power with dozens of other communities. Unable to rely on unfettered growth to assure future prosperity, leadership looked inward, setting new priorities for the city. Though Phoenix remains vibrant and prosperous, it is a very different city than it was in the boom years.

-Tom Prezelski, Resident Historian

Love for our Country…

usa_city_lights_space_night_satellite_map_sky_earth-923258I just listened to Michelle Obama’s speech to the Democratic National Convention. Her words speak to my heart and resonate with the hope I feel for our country.

This project is dedicated to creating an open space for people to tell their version of a Great America, whatever that looks like for them. I believe that a positive approach to defining who we have been, who we are and who we want to be has real power in the world.

Politics are endlessly frustrating for me, as people fight and nag each other over the fine points of how to run the nation. What I feel is missing in that equation is a real sense of how are all connected and could work together to build a better way of being, a future that we want to live in, and a legacy for future generations.

So often, it just seems to be about winning the argument.

Or arguing for the sake of arguing.

So a big thank you to Michelle Obama for speaking so beautifully about her love and hope for our country. Wether or not you agree with her vision of a Great America, her passion is touching.

Michelle Obama’s 2020 DNC keynote address

A New Plan…

display-screen-monitor-electronicsThis project is a mobile radio lab, traveling to the biggest city and a small town in each state, asking people to define their great America: past, present and future. Originally, I planned to personally travel to each state in the union from May to October, 2020. Due to COVID19, I am now embarking on a virtual road trip.

What does this virtual mobile radio lab look like? It is a weekly podcast and a series of short videos from each community along my original route. I am asking librarians to nominate someone in their community for the podcast, and I am asking local videographers to make 1 minute videos showing what is special about their community.

This virtual journey will be presented as a screening of the videos and audio from the journey, as well as exhibited in galleries where people can hear the interviews or watch the videos at interactive listening stations.

So… What’s your Great America?